Memoirs of Sarah, Duchess of Marlborough, and of the Court of Queen Anne Vol. 2 (of 2) — Key Ideas to Explore
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The catalog record for Memoirs of Sarah, Duchess of Marlborough, and of the Court of Queen Anne Vol. 2 (of 2) — Key Ideas to Explore provides practical reading context through 130,859 words, 9 hr 29 min estimated reading time, and 27 detected text sections.
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- Title & short description10 pts
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Character of Lord Peterborough—Of Lord Montague—Marriage of the Lady Mary Churchill with Lord Monthermer—Character and success of her husband—The violence of party spirit at this era—Conduct of the Duchess in politics—Her dislike to Lord Rochester—His character—Preferment of Harley to the secretaryship—Views originally entertained by Marlborough and Lord Godolphin—Anecdote of Lord Wharton at Bath—A proof of political rancour _Page_ 1
Conduct of Lord Sunderland—Influence of the Duchess understood at foreign courts—Anecdote of Charles the Third of Spain 29
Complete triumph of the Whigs—Attempts made to bring Lord Sunderland into the Cabinet—Scheme for insuring the Hanoverian succession—The Queen’s resentment at that measure 55
Decline of the Duchess’s influence—Her attempt in favour of Lord Cowper—Singular Letter from Anne in explanation—Intrigues of the Tories—Harley’s endeavours to stimulate the Queen to independence 74
State of parties—Friendship of Marlborough and Godolphin—Discovery of Mr. Harley’s practices—Intrigues of the Court 109
Vexations and disappointments which harassed the Duke and Duchess of Marlborough—Vacillations of Anne—Her appointment of Tory bishops 124
1708—Vacillation of Anne—Invasion of the Pretender—Results of that event—Secret intrigues with Mrs. Masham—The death of Prince George—The Duchess of Marlborough’s affectionate attentions to the Queen on that occasion—Her disappointment 147
Trial of Dr. Sacheverell—His solemn protestation of innocence—Scene behind the curtain where the Queen sat—Fresh offence given by the Duchess to Anne 164
Final separation between the Queen and the Duchess—Some anecdotes of Dr. and Mrs. Burnet—Dr. Burnet remonstrates with the Queen—The Queen’s obstinacy—Dismissal of Lord Godolphin—Letter from the Duchess to the Queen 193
Anecdotes of Swift and Addison—Publication of the Examiner—Charge brought in the Examiner against the Duchess 212
Return of the Duke and Duchess—Their reception—The Duchess’s advice to her husband—Political changes in which the Duke and Duchess were partly concerned 256
Third Marriage of Lord Sunderland—Calumnies against the Duke and Duchess of Marlborough—Interview between the Duchess and George the First—The result—Her differences with Lord Sunderland—Illness, death, and character of the Duke of Marlborough 320
Funeral of the Duke of Marlborough—His bequests to the Duchess—Immediate proposals of marriage made for her in her widowhood—Character and letters of Lord Coningsby—Character of the Duke of Somerset—His Grace’s offer of marriage to the Duchess 352
Anecdotes of the Duchess of Marlborough and the Duchess of Buckingham—Pope’s “Atossa”—Sir Robert Walpole—The Duchess’s enmity towards that minister—Singular scene between them—The Duchess’s causes of complaint enumerated 376
State of the Duchess of Marlborough with respect to her family—Henrietta Duchess of Marlborough—Lord Godolphin—Pelham Holles Duke of Newcastle—The Spencer family—Charles Duke of Marlborough—His extravagance—John Spencer—Anecdote of the Misses Trevor—Letter to Mr. Scrope—Lawsuit 397
The Duchess of Marlborough’s friends and contemporaries—Arthur Maynwaring—Dr. Hare—Sir Samuel Garth—Pope—Lady Mary Wortley Montague—Colley Cibber—Anecdote of Mrs. Oldfield; of Sir Richard Steele 417
The different places of residence which belonged to the Duchess—Holywell-house, Wimbledon, Blenheim—Account of the old mansion of Woodstock—Its projected destruction—Efforts of Sir John Vanburgh to save it—Attack upon the Duchess, relative to Blenheim, in the Examiner 436
Old age and decline of the Duchess—Her incessant wrangling with Sir Robert Walpole—Her occupations—The compilation of her Memoirs—Her death, and character 460
DUCHESS OF MARLBOROUGH.
Character of Lord Peterborough—Of Lord Montague—Marriage of the Lady Mary Churchill with Lord Monthermer—Character and success of her husband—The violence of party spirit at this era—Conduct of the Duchess in politics—Her dislike to Lord Rochester—His character Preferment of Harley to the secretaryship—Views originally entertained by Marlborough and Lord Godolphin—Anecdote of Lord Wharton at Bath—A proof of political rancour.
Amongst those friends who hastened to pour forth their condolences to the Duchess of Marlborough on the loss of her son, the celebrated Charles Mordaunt, Earl of Peterborough, was one of the first, and amongst the most eager to testify his concern. This nobleman, whose enmity towards Marlborough became afterwards conspicuous, was at this time one of the numerous votaries of the arrogant Duchess. Lord Peterborough’s extravagances gave a meteor-like celebrity to his general character. Among many of the celebrated individuals who illumined the age, he would, nevertheless, have been eminent, even had his course been less peculiar, and his deportment like that of ordinary men.
Mrs. A. T. Thomson opens this volume with a series of character sketches that serve as both introduction and judgment. The chapter headings themselves—'Character of Lord Peterborough—Of Lord Montague'—signal a methodical approach to portraiture. Thomson does not simply narrate events; she pauses to assess, often using contrasting pairs to sharpen her subjects. This technique, evident throughout the excerpts, gives the memoir a deliberative, almost judicial tone.
Direct Speech as Evidence
Thomson frequently incorporates direct quotations from her subjects, lending immediacy to her narrative. In the excerpt concerning the Duke of Marlborough's declining years, she reports his poignant exclamation upon viewing his own portrait: 'That was a man!' This single line, set off by quotation marks, carries more emotional weight than pages of description. Similarly, she reproduces the Duchess's sharp remark about saving sixpence, attributing it to 'his contemporary' but using it to illustrate character. Thomson's choice to include such speech acts suggests she values the authentic voice over paraphrase, even when the source is unnamed or anecdotal.
Comparative Portraiture
A distinctive feature of Thomson's style is her use of extended comparison to define her subjects. The most striking example in the excerpts is her parallel between Marlborough and Swift. She juxtaposes their fates in old age, noting that both suffered from the same 'mortal and humiliating disease,' but insists on their differences: Marlborough retained his reason and domestic comforts, while Swift descended into 'insanity' and isolation. Thomson marshals evidence—Marlborough's attendance in the House of Lords, his family's presence—to counter the popular notion of his 'imbecility.' This comparative method allows her to correct received opinion while also delivering a moral judgment on Swift's character.
The Interplay of Public and Private
Thomson consistently links political events to personal relationships. The chapter list reveals a pattern: 'Decline of the Duchess’s influence' is followed by 'Singular Letter from Anne in explanation.' The excerpts show Thomson weaving together court intrigues, such as Harley's maneuvers, with domestic scenes like the Duchess's 'affectionate attentions' to the Queen after Prince George's death. She presents the Duchess's political actions as extensions of her personal loyalties and grievances. This approach humanizes the historical narrative, but it also risks conflating motive with explanation—a choice Thomson makes explicit when she describes the Duchess's 'disappointment' at the Queen's coldness.
Narrative Voice and Moral Framing
Thomson's authorial voice is never neutral. She uses adjectives like 'kindly,' 'humane,' 'pure,' and 'religious' for Marlborough, while Swift is 'coarse, selfish, and profane.' These evaluative terms are woven into the syntax, not set apart as opinion. Thomson also employs rhetorical questions—'would he have been so careful to save a sixpence for the sake of his heir?'—to engage the reader in moral reflection. Her closing comparison of the two men's deaths is framed as a lesson in 'retributive justice.' This overt moralizing is a deliberate stylistic choice, aligning the memoir with the tradition of exemplary biography rather than dispassionate history.
Readers attentive to Thomson's diction will notice how she uses small details—a quoted phrase, a contrasting pair, a moral epithet—to shape interpretation. Her narrative is not a transparent window onto the past but a carefully constructed argument. To read these memoirs is to watch a Victorian biographer at work, selecting, comparing, and judging. The pleasure lies not only in the story of Sarah and Anne but in observing how Thomson builds her case.
There’s something moving in how Thomson captures Sarah’s public fury while hinting at the private loneliness beneath it, that old ache of being seen but not understood. It reminds me of the quiet determination in Annie Besant: An Autobiography, where a woman’s convictions cost her so dearly, yet she kept walking. Annie Besant: An Autobiography — Context and Discussion lingers there, too—between what we show and what we carry alone.
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Sophia King
1 month ago