An Old New Zealander; or, Te Rauparaha, the Napoleon of the South. — Edition Insights
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hey had obviously come into contact with strange people and strange animals, for the existence of the former has been preserved in their traditions and the memory of the latter in their fantastic carvings. Not the least interesting of their stories is the finding of a fair-complexioned people, whom their fancy has elevated into the realm of fairies, and from whom they claim to have learned the art of net-making. Whether these mysterious people, who are said to have laboured only at night and to have vanished when the sun rose, were the original Caucasians who, we have supposed, set out from the eastern coast of Asia, and who were about to be absorbed by the more virile emigrants from India, or whether they were, as some suggest, a few wandering Greeks or Phoenicians on the coast of Sumatra, we cannot pretend to decide. But, in all its vagueness and fanciful setting, the tradition is interesting, as indicating the existence on their route of a people fairer than themselves, and the fact that they must have come into close personal contact with them. A careful reflection upon the probable circumstances attending the story of how Kahu-kura captured one of the fairy's nets inclines us to the opinion that it is the first evidence we have of the contact of the Indian branch of the Polynesian race with their whiter predecessors. These they would meet in island after island as they moved down the Pacific towards Fiji, which group they are believed to have occupied about A.D. 450.
Like all other dates connected with Polynesian migrations, this one can only be approximate, for the people were without any mode of reckoning time, except by reference to ancestral lines. But there is traditional authority for supposing that their descent upon Fiji was made in considerable numbers, and that for a time these islands constituted one of their principal colonising centres. Whether Tonga and Samoa were settled from this point seems doubtful; but it is certain from the marvellous stories which find credence in the traditions of this period that an era of extensive voyaging had set in, and that the newcomers began to spread themselves with considerable rapidity from atoll to island and from island to archipelago. These excursions into new realms naturally gave promise of an attractive home amongst the palm-covered islands; and, simultaneously with their policy of conquest and colonisation, they began the absorption and assimilation of the resident people. As the defending warriors were driven out or annihilated, the women of the vanquished were taken possession of by the victors, and their domestic arts were taken with them. This blending necessarily, in the course of many centuries, worked appreciable modifications in the physique and customs of both races, and gave to the world the Polynesian people as we know them to-day.
A race of stalwarts, long-headed, straight-haired, and brown-skinned, warriors from birth, full of courage, and ardent for adventure, they were not altogether devoid of those higher ideals which make for the elevation of man. They were deeply imbued with a love of poetry, which enabled them to appreciate in a rude way the beautiful in life and to preserve in quaint song and fantastic tradition the story of their wanderings and the prowess of their heroes. They were even enterprising enough to attempt the solution of the marvellous natural phenomena everywhere presented to them, which, to their simple minds, could have no origin except in the intervention of the gods.
Buick opens his biography of Te Rauparaha with a frank admission: he wrote it to satisfy readers of his earlier books who wanted a fuller account of the Ngatitoan chief. The preface immediately signals a defensive stance, anticipating criticism for recording a “savage and sanguinary past” and for not subscribing to the conventional view that Te Rauparaha was “destitute of a redeeming feature.” This framing primes the reader for a work that aims to contextualize, not merely condemn.
A Biographer’s Dual Purpose
The preface reveals two intertwined goals. First, Buick wants to consolidate “much heterogeneous matter” into a single volume, drawing on scattered references from his earlier works. Second, he intends to emphasize the “marvellous transformation” wrought by missionary enterprise since Te Rauparaha’s time. This dual aim—historical consolidation and moral progress narrative—shapes the entire biography. The reader should note that Buick is not writing a neutral chronicle; he is explicitly arguing that Te Rauparaha has been misunderstood by settlers and traders who judged him by Christian standards. The preface thus functions as a lens through which to read the subsequent narrative, alerting us to the author’s sympathy for his subject and his desire to rehabilitate the chief’s reputation without excusing his actions.
Navigating Conflicting Sources
The excerpts repeatedly show Buick wrestling with contradictory accounts. In footnote 84, he notes that Canon Stack says Rerewaka was killed during battle, while Mr. Travers and Tamihana te Rauparaha claim he was taken prisoner to Kapiti to be “tamed.” Buick does not resolve the discrepancy, simply recording both versions. Similarly, footnote 85 points out that Canon Stack seems to conflate Kaikoura and Omihi, but a petition to the House of Representatives treats them as separate places destroyed at different times. These footnotes reveal Buick’s method: he presents multiple traditions without forcing reconciliation, acknowledging that “variations in tradition” may never be harmonized. For a first-time reader, this scholarly caution is a reminder that the biography is built on imperfect, often oral, sources.
The Commerce in Heads
A striking detail emerges in footnote 89: when chiefs’ heads became scarce for the trade, Maori began tattooing slaves’ heads and killing them once the heads were marketable. Buick even notes that one slave ran away just as he was “attaining a commercial value,” and he references Manning’s Old New Zealand for a humorous account of a merchant’s indignation at such a loss. This passage is remarkable for its matter-of-fact tone about a brutal practice. The reader should observe how Buick integrates such ethnographic and economic observations into the narrative, using them to illustrate the intersection of Maori custom and European demand. The head trade is not presented as sensationalism but as a concrete example of the transformations—and the moral complexities—that Buick’s biography seeks to document.
Te Pehi’s Fatal Impetuosity
Footnote 88 recounts an episode from Tamihana te Rauparaha’s account: Te Rauparaha warned Te Pehi to be cautious entering the pa, saying “I have had an evil omen: mine was an evil dream last night.” But Tamihana adds, “what was the good of such advice to a man whose spirit had gone to death?” This anecdote encapsulates the blend of supernatural belief and fatalism that Buick often attributes to his subjects. The reader should note how Buick uses such native testimony to convey Maori perspectives, even as he cross-references European sources like Captain Briggs’s newspaper account (footnote 90). The juxtaposition of dream omens and European eyewitness reports illustrates the layered narrative technique Buick employs throughout the biography.
Buick’s biography rewards a reader who pays attention to the footnotes as much as the main text. The excerpts show that the scholarly apparatus—discrepancies, alternative traditions, ethnographic asides—is integral to the work’s purpose. Approaching the book with an awareness of Buick’s dual aims and his careful handling of conflicting sources will deepen one’s appreciation of how he constructs a portrait of Te Rauparaha that is neither hagiography nor condemnation.
The rain kept the world outside to a murmur, and I found myself lost in Buick’s account of Te Rauparaha, struck by how the old chief’s fierce pragmatism still felt like a kind of dignity. That thought lingered, oddly restless. Later, I reached for something else entirely, and the quiet resolve I found there—in Booker T. Washington, Builder of a Civilization — Reading Notes—felt like a familiar chord, played softer.
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