Thackerayana: Notes and Anecdotes — Context and Discussion

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In Category - Biographies
Grego, Joseph, 1843-1908 [Compiler], Thackeray, William Makepeace, 1811-1863 [Illustrator] Project Gutenberg 2014 Not confirmed
Novelists, English -- 19th century -- Biography; Thackeray, William Makepeace, 1811-1863; Thackeray, William Makepeace, 1811-1863 -- Library; Thackeray, William Makepeace, 1811-1863 -- Books and reading Readers of public-domain and historical texts
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Words 139,915
Reading time 609 min
Text sections 21

The source record for Thackerayana: Notes and Anecdotes — Context and Discussion measures this digital text at 139,915 words, 10 hr 9 min estimated reading time, and 21 detected text sections.

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Joseph Grego's 1875 compilation pairs Thackeray's own sketches with excerpts from his reading, revealing how the novelist's visual humor and literary tastes intersected. The book's structure—juxtaposing Thackeray's school-life drawings against passages from the Tatler and other sources—offers a unique window into his creative process, though the excerpts are too fragmentary to confirm broader biographical claims.
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Voyage from India -- Touching at St. Helena -- School days at the Charterhouse -- Early Reminiscences -- Sketches in School Books -- Boyish Scribblings -- Favourite Fictions -- Youthful Caricatures -- Souvenirs of the Play 1

Early Favourites -- The 'Castle of Otranto' -- Rollin's 'Ancient History' 18

Thackeray's last visit to the Charterhouse -- College days -- Pendennis at Cambridge -- Sketches of Universities -- Sporting subjects -- Etchings at Cambridge -- Pencillings in old authors -- Pictorial Puns -- The 'Snob,' a Literary and Scientific Journal -- 'Timbuctoo,' a Prize Poem 47

Early Favourites -- Fielding's 'Joseph Andrews' -- Imitators of Fielding -- The 'Adventures of Captain Greenland' -- 'Jack Connor' -- 'Chrysal; or, the Adventures of a Guinea' 71

Continental Rambles -- A Stolen Trip to Paris -- Residence at Weimar -- Contributions to Albums -- Burlesque State -- German Sketches and Studies -- The Weimar Theatre -- Goethe -- Souvenirs of the Saxon city -- 'Journal kept during a Visit to Germany' 89

Thackeray's Predilections for Art -- A Student in Paris -- First Steps in the Career -- An Art Critic -- Introduction to Marvy's 'English Landscape Painters' -- Early Connection with Literature -- Michael Angelo Titmarsh, a contributor to 'Fraser's Magazine' -- French Caricature under Louis Philippe -- Political Satires -- A Young Artist's life in Paris -- Growing Sympathy with Literature 114

'Elizabeth Brownrigge: a Tale,' 1832 -- 'Comic Magazine,' 1832-4 -- 'National Standard and Literary Representative,' 1833-4 -- 'Flore et Zéphyr, Ballet Mythologique,' 1836 -- On the Staff of 'Fraser's Magazine' -- Early Connection with Maginn and his Colleagues -- The Maclise Cartoon of the Fraserians -- Thackeray's _Noms de Plume_ -- Charles Yellowplush as a Reviewer -- Skelton and his 'Anatomy of Conduct' -- Thackeray's Proposal to Dickens to illustrate his Novels -- Gradual Growth of Thackeray's Notoriety -- His Genial Admiration for 'Boz' -- Christmas Books and Dickens's 'Christmas Carol' -- Return to Paris -- Execution of Fieschi and Lacénaire -- Daily Newspaper Venture -- The 'Constitutional' and 'Public Ledger' -- Thackeray as Paris Correspondent -- Dying Speech of the 'Constitutional' -- Thackeray's Marriage -- Increased Application to Literature -- The 'Shabby Genteel Story' -- Thackeray's Article in the 'Westminster' on George Cruikshank -- First Collected Writings -- The 'Paris Sketch-Book' -- Dedication to M. Aretz -- 'Comic Tales and Sketches,' with Thackeray's original Illustrations -- The 'Yellowplush Papers' -- The 'Second Funeral of Napoleon,' with the 'Chronicles of the Drum' -- The 'History of Samuel Titmarsh and the great Hoggarty Diamond' -- 'Fitzboodle's Confessions' -- The 'Irish Sketch-Book,' with the Author's Illustrations -- The 'Luck of Barry Lyndon' -- Contributions to the 'Examiner' -- Miscellanies -- 'Carmen Lilliense' -- 'Notes on a Journey from Cornhill to Grand Cairo,' with the Author's Illustrations -- Interest excited in Titmarsh -- Foundation of 'Punch' -- Thackeray's Contributions -- His comic Designs -- The 'Fat Contributor' -- 'Jeames's Diary' 124

Increasing reputation -- Later writings in 'Fraser' -- 'Mrs. Perkins's Ball,' with Thackeray's Illustrations -- Early Vicissitudes of 'Pencil Sketches of English Society' -- Thackeray's connection with the Temple -- Appearance of 'Vanity Fair,' with the Author's original Illustrations -- Appreciative notice in the 'Edinburgh Review' -- The impression produced -- 'Our Street,' with Titmarsh's Pencillings of some of its Inhabitants -- The History of Pendennis,' illustrated by the Author -- 'Dr. Birch and his Young Friends,' with illustrations by M. A. Titmarsh -- 'Rebecca and Rowena' -- The Dignity of Literature and the 'Examiner' and 'Morning Chronicle' newspapers -- Sensitiveness to Hostile Criticism -- The 'Kickleburys on the Rhine,' with illustrations by M. A. Titmarsh -- Adverse bias of the 'Times' newspaper -- Thackeray's reply -- An 'Essay on Thunder and Small Beer' 161

Commencement of the Series of Early Essayists -- Thackeray as a Lecturer -- The 'English Humourists of the Eighteenth Century' -- Charlotte Brontë at Thackeray's Readings -- The Lectures repeated in Edinburgh -- An invitation to visit America -- Transatlantic popularity -- Special success attending the reception of the 'English Humourists' in the States -- 'Week-day Preachers' -- Enthusiastic Farewell -- Appleton's New York edition of Thackeray's Works; the Author's introduction, and remarks on International Copyright -- Thackeray's departure -- Cordial impression bequeathed to America -- The 'History of Henry Esmonde, a story of Queen Anne's Reign' -- The writers of the Augustan Era -- The 'Newcomes' -- An allusion to George Washington misunderstood -- A second visit to America -- Lectures on the 'Four Georges' -- The series repeated at home -- Scotch sympathy -- Thackeray proposed as a candidate to represent Oxford in Parliament -- His liberal views and impartiality 171

Joseph Grego's Thackerayana: Notes and Anecdotes is not a biography in the conventional sense. Instead, it assembles hundreds of sketches by William Makepeace Thackeray alongside excerpts from books he read, creating a mosaic of the novelist's visual and literary imagination. The volume's subtitle promises depictions of 'humorous incidents in his School Life, and Favourite Scenes and Characters in the Books of his Every-day Reading,' and the surviving excerpts bear this out—but only partially. Grego's introduction dwells on the shock of Thackeray's death in 1863 and the financial anxieties faced by his daughters, a framing that feels more like a Victorian memorial than a critical apparatus. The catalog subjects list Thackeray's library and reading habits, yet the text offers only scattered glimpses of those habits, leaving the reader to infer connections between the sketches and the quoted passages.

The Compiler's Frame and Its Limits

Grego's introduction sets a mournful tone, recounting how Thackeray's death 'left, in the hour of their trial, his two young daughters deprived of the fatherly active mind.' This personal angle colors the entire volume, positioning the sketches and notes as a kind of posthumous tribute. Yet the excerpts that follow do not consistently support the biographical narrative. For instance, the introduction mentions Thackeray's 'costly and handsome mansion' and his standing as 'one who really represented literature in the great world,' but the subsequent pages leap abruptly into a series of quotations from the Tatler, with no explanation of how these relate to Thackeray's life. The compiler's voice recedes after the opening, leaving the reader to navigate a collage of primary sources without clear guidance. This structural choice suggests that Thackerayana is more an archive than an argument, a repository of materials that Grego deemed relevant but did not fully integrate.

Thackeray's Sketches as Evidence

The volume's title page boasts that it is 'Illustrated by Hundreds of Sketches BY WILLIAM MAKEPEACE THACKERAY,' and the excerpts hint at the range of his visual output. The introduction refers to 'humorous incidents in his School Life,' but the text itself offers no sustained description of those drawings. Instead, the reader encounters a long passage from the Tatler (No. 111) describing a 'fine lady' who visits Mr. Bickerstaff, complete with a 'pretty hesitation' and a fan held to her face. Thackeray's sketches, if they accompany such passages, are not described in the excerpts; the reader must imagine how his line drawings might have visualized the scene. This gap between the promise of visual evidence and its actual presentation is a notable feature of the text. The catalog subject 'Thackeray, William Makepeace, 1811-1863 — Books and reading' finds partial confirmation in the quoted Tatler essays, but the excerpts do not reveal whether Thackeray himself annotated or responded to these readings.

The Tatler Excerpts and Their Function

The most substantial excerpts in the provided text are from Joseph Addison's Tatler papers, specifically numbers 111 and 116. These passages showcase the periodical's blend of social satire and moral reflection: one describes a lady's visit to Mr. Bickerstaff, complete with a ledger of visits 'received' and 'paid'; another offers a meditation on 'mental infirmities' and the dangers of 'covetous' old age. Grego includes these without explicit commentary, leaving the reader to wonder why they were chosen. The Tatler was a staple of eighteenth-century literature that Thackeray admired, but the excerpts alone do not demonstrate how he used or transformed such material. The catalog subject 'Novelists, English -- 19th century -- Biography' is only weakly supported, as the text provides more of Thackeray's reading than his life. The excerpts end abruptly with a discussion of hooped petticoats, a fittingly trivial note that underscores the volume's miscellaneous character.

Thackerayana rewards readers who approach it as a cabinet of curiosities rather than a coherent biography. The sketches and excerpts invite comparison, but the connections must be drawn by the reader. Grego's editorial hand is light, and the volume's value lies in the raw materials it preserves—Thackeray's visual humor and the literary culture he inhabited. Those seeking a narrative of his life will need to look elsewhere; those interested in the texture of his imagination will find much to explore.

Thackeray’s scattered margins, his doodles beside borrowed lines, always felt like a quiet conversation across centuries. And in that same spirit, I often set beside it a king who collected wisdom rather than wit—Alfred, gathering his own fragments of learning for darker times. Both books whisper of how a mind shapes itself from the shelf. There’s a gentle kinship in that, The Life and Times of Alfred the Great Being the Ford lectures for 1901 — Themes and Context resting alongside Grego’s old curiosity.

Sebastian Martin
2 weeks ago

Liam Nguyen
1 month ago

William Harris
1 month ago

5
5 out of 5 (3 User reviews )

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  • ...
    Jennifer Herman - 1 month ago
    {'type': 'negative', 'text': "Though the concept is promising, this book feels like a random assortment of notes and sketches without a clear narrative or purpose. The lack of thematic structure makes it difficult to engage with, and the annotations are sometimes sparse. More contextual background about Thackeray's life and the significance of the anecdotes would have greatly improved the reading experience. As it stands, it's a niche curiosity rather than a satisfying biography."}

  • ...
    Robert Weiss - 1 month ago
    {'type': 'neutral', 'text': "The compilation provides an interesting mix of Thackeray's drawings and anecdotes, giving readers a sense of his personality. The visual material is well-chosen and often humorous. However, the organization feels somewhat scattershot, with subjects changing abruptly. Still, it's a pleasant book for dipping into rather than reading straight through, and offers a unique perspective on the author's life."}

  • ...
    Matthew Potter - 4 weeks ago
    {'type': 'positive', 'text': "This charming collection of anecdotes and illustrations offers a delightful glimpse into the world of the Victorian artist William Makepeace Thackeray. The book is filled with witty observations, personal letters, and original sketches that reveal his humor and satire. It's a treasure trove for any fan of Thackeray or Victorian literature. The editor's commentary adds context, making it both educational and thoroughly entertaining."}


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