The female-impersonators — Context and Discussion
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The source record for The female-impersonators — Context and Discussion measures this digital text at 85,023 words, 6 hr 10 min estimated reading time, and 21 detected text sections.
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Project Gutenberg metadata also associates the work with “Werther, Ralph, 1874-,” connecting these edition facts with the source record’s subject description.
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eneral book publishers, and continued to do so for two years, until ten publishers had returned it to him as unsuited for general circulation.
It must be understood that the author wrote THE FEMALE-IMPERSONATORS for the general reader as he felt that, although propaganda among scientists was necessary, and would undoubtedly do some good, really to help the suffering androgyne quickly, it was necessary to reach the general public.
In this idea the author was not wrong. During the last few years several suicides and murders of androgynes have come to my personal notice, and although a change of laws, which would do away with the punishment of androgynes for their harmless sexual lapses, would do a great deal to ameliorate the conditions surrounding their lives (particularly prevent much blackmail, from which they continually suffer) yet the suicides of androgynes are almost always due, not to fear of punishment by the law, but to fear of exposure, which would cause the loss of their positions and insure their being shunned by “decent” society.
As to the frequent murders of androgynes, these surely have not been committed by members of the medical, legal or other learned professions, but by men belonging to “the general public”—men more or less “civilized,” but altogether brutal.
It can not be doubted that a repeal of those laws which prescribe punishment for sexual lapses of these “pseudo-men” would do good, as it would not only save them from prison terms, but also enable the braver of them to prosecute and stop blackmailers, who make a regular business of draining the resources of androgynes.
It is however impossible to achieve all that is desirable until the general public has been thoroughly impregnated with the fact that androgynism (as well as its correlative, gynandrism) is a _psychopathia sexualis_, a mental twist, as harmless to society as anything can be, because it is neither infectious nor contagious, and can not be induced in anybody through either association with androgynes or through quasi-philosophical (that is, sophistical) teachings or cults.
It must be understood that a normal man can not develop sexual feelings or desires for another man, although it must be admitted that homosexuality is occasionally practiced under conditions where access to the opposite sex is impossible (or next to impossible), as, for example, among soldiers on campaigns, among sailors during long voyages on sailing vessels, in boarding-schools for adolescents, etc. This species of homosexuality is indulged in only from “necessity”—so to say—and is not considered by those indulging as much different from self-manustupration. It is gladly abandoned as soon as access to the opposite sex has become possible.
An ultra-androgyne however, although he has the male primary physical attributes, never feels himself to be a real male, but a female incarnated in a male body (often with feminine earmarks), and would no more be able to develop sexual feelings for a female than a normal man for another male.
It is therefore a consummation devoutly to be wished that a book setting forth the facts of androgynism could be distributed among the general public. The author tried to write a compendium for such readers, and THE FEMALE-IMPERSONATORS is the result.
That he has failed in his attempt is to me not only very apparent, but also quite natural.
To the author nothing that he has written about the practices of androgynes seems what we call immoral or revolting. Because their own congenital sexual tendencies appear to androgynes as the full-fledged man’s appear to the latter.
To the author of THE FEMALE-IMPERSONATORS it is as natural to fall in love with another male (bearing in mind however that the androgyne is only a “pseudo-male”) and write, what he calls poems, dedicated to his “hero-boys” (who to me appear nothing but low ruffians, blackmailers, and grafters) as it would be for a normal man to fall in love with some good-looking female, and write “poetry” about her, perhaps in some of his later “poems” to bewail the fact that she has proven herself “faithless, truthless, and makes a sale of that which men call love, to him who bids the highest.”
It is therefore but natural that, since the author sees human beings, as it were, distorted through his own mental astigmatism, namely females as belonging to his own sex and males to the opposite, his second book, THE FEMALE-IMPERSONATORS, contains a great deal which to the average reader would be “shocking”, and thus, instead of accomplishing the result which he intended, would cause disgust, and make the treatment of the androgyne even worse than at present.
Ralph Werther—writing under the female persona Jennie June, and also as 'Earl Lind'—opens this 1922 volume with a subtitle that signals its hybrid nature: part sequel to his earlier Autobiography of an Androgyne, part sociological account of 'six years’ career as instinctive female-impersonator in New York’s Underworld.' The book is edited by Dr. Alfred W. Herzog, who also contributes an introduction, and was originally sold only to professionals—physicians, lawyers, clergymen—reflecting its intended status as a scientific document rather than a popular memoir. Werther’s voice, however, is anything but clinical; he writes with a frankness about his desires and experiences that challenges the era’s medical and moral categories.
A Life Framed by Science and Confession
Werther’s narrative is structured as both a personal confession and a scientific treatise. The table of contents reveals a deliberate organization: Part One, 'The Third Sex,' includes chapters on 'The Place of the Androgyne in the Male Sex Scale' and 'Androgynes of Mythology and History,' while Part Two traces his own development from infancy through school days to his emergence as 'The Fairie Boy.' This dual framing—the personal and the taxonomic—is central to the book’s method. Werther repeatedly positions himself as a specimen, offering his own body and history as evidence for a broader argument about the naturalness of androgyny. Yet he also insists on his individuality, describing specific encounters and emotions with a vividness that resists reduction to type. The tension between these two impulses—to be a case study and to be a person—runs throughout the text.
The Language of the Body and Its Changes
Werther pays close attention to physical transformation, both as a marker of identity and as a biological process. He describes his own 'menopause' at age forty-two, when his weight jumped from 133 to 160 pounds within six weeks, and links this to a shift in his sexual instincts. 'The hitherto passive ultra-androgyne occasionally becomes active,' he writes, drawing an analogy to menopause in women. This physiological language is typical of the book’s blend of personal observation and pseudo-scientific generalization. Werther also notes that androgynes often become more masculine as they approach fifty, and may even marry—a claim he supports with his own abortive courtship of a young woman. His willingness to chart these changes in himself, and to generalize from them, gives the book a distinctive texture: it is at once a memoir, a medical text, and a plea for understanding.
Underworld Networks and the Cercle Hermaphroditos
Werther’s account is populated by a network of androgyne associates, many of whom he met in New York’s 'underworld'—a term he uses to describe both the physical spaces of bars and pick-up spots and the social world of those who, like him, lived outside conventional gender and sexual norms. He mentions the Cercle Hermaphroditos, a group he belonged to in his twenty-second year, and describes writing a brief autobiography at that time, though publication was delayed for twenty-three years due to 'the bigotry of cultured man.' The book includes chapters on specific locations and encounters, such as 'A Stuyvesant Square Pick-up' and 'Evenings at Paresis Hall,' which ground his theoretical claims in lived experience. These vignettes offer a rare glimpse into a hidden social world, one that Werther presents as both a refuge and a site of danger.
Readers should approach The Female-Impersonators as a document of its time, shaped by the medico-legal discourses of the early twentieth century and by Werther’s own complex motives—self-justification, advocacy, and a desire to be understood. The book’s value lies not in its scientific claims, which are often dated, but in its firsthand testimony and its refusal to conform to simple categories. Werther’s voice, at once defiant and vulnerable, remains its most compelling feature.
Reading about Ralph Werther’s careful navigation of a life lived between worlds, I kept thinking of another quiet memoir, An Englishwoman's twenty-five years in tropical Africa — Background and Themes. Both linger because they show how identity reshapes itself in unfamiliar territory. There’s no drama, just the slow patience of someone learning to belong where they weren’t expected. That kind of honesty stays with you gently, doesn’t it?
Scarlett Nelson
1 month agoOwen Adams
1 month agoCamila Green
3 weeks agoAnthony Mitchell
3 weeks ago-
Michael Robinson - 1 month ago
The Female Impersonators provides a unique insider's view of a marginalized community. While it's a valuable historical document, the writing can be occasionally sensational and the narrative jumps around. Nonetheless, it's a fascinating read that offers insights into a time when such lives were rarely documented. -
Julia Hicks - 3 weeks ago
A groundbreaking and candid account of the lives of female impersonators in the early 20th century. The author's personal experiences offer a rare and honest perspective, challenging societal norms. This is an important piece of LGBTQ+ history that is both enlightening and moving. A must-read for anyone interested in gender and identity. -
Jesus Mack - 2 weeks ago
This book is more of a personal memoir than a systematic study, which may disappoint those expecting a broader analysis. The author's own biases and the need to be discreet likely shaped the content. While historically significant, it lacks depth and scholarly rigor, making it a challenging read for modern audiences.
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Owen Flores
4 weeks ago